Most studios bury their pricing in a "request a quote" form. We do not — every brief we have shipped in the last three years has fit into one of three tiers, and the rate is on the card. The conversation we want to have with a client is about the brief, not about the budget.
The tier maps to the scope of the brief, not to the brand spending. A small fashion house can sit in Marque; a household brand can sit in Editorial. The right tier is the one that fits the shape of the work, and we will tell you which we think it is on the first call.
For magazine features, single-feature stories, designer portraits, and small editorial assignments where the client is a publication or a single section of a magazine.
The studio's principal tier — seasonal brand campaigns, lookbooks, catalogues, multi-location architecture features, cookbook commissions. The shape of work we built the studio around.
A long-form working partnership — Brivon as the single visual studio for a brand across a full SS/FW cycle. Editorial, campaign, e-commerce, and architecture rolled into one continuous engagement.
All rates are starting points · the producer will quote a fixed scope after the first call · no hidden post or licensing fees · all media usage scopes negotiated upfront.
Every project moves through the same eight phases, regardless of tier. The phase lengths change, the principles do not. Most campaigns take six weeks; the shortest editorial shipped in eleven days; the longest marque cycle ran for ten months.
Twenty-minute first call with the producer. Brief, references, working dates, audience, where the work lands. Free, always.
Within 72 hours: a fixed scope, fixed rate, and proposed working window. No estimate creep.
Casting, location lock, props, talent, light maps. The producer holds every contract, every release.
One-hour creative call with the lead and the brand. Agree the visual rules, agree the deliverables.
1 to 5 days. Tethered to a calibrated monitor. Daily live galleries for the brand-side approver.
Within 24 hours of wrap, a colour-managed gallery of all keepers — ranked, captioned, ready to choose.
5 to 10 business days in-house. Two rounds of revisions standard, more on marque.
Master TIFF, sized JPG, print TIFF, contact sheets, signed model releases — all in one delivery package.
These come up on roughly every third call. If your question is not here, send the producer a note — the address is on the contact page.
Three to five months for Campaign and Marque, four to six weeks for Editorial. We block specific weeks once a deposit is in.
Yes — we work globally and have shot in 14 countries since 2014. Travel is quoted on top of the rate at cost; we never markup flights or accommodation.
Always negotiated upfront, never bolted on later. We licence by use, region, and duration — and we are happy to draft a buyout if the project genuinely needs one.
Yes. Both rooms are available to outside crews for a limited number of weeks per year. The Brooklyn rate card is on request — ask Felix.
No. We make pictures. We will gladly retouch, composite, and grade — but the image we ship is the image that came out of the camera.
Every campaign tier includes two rounds of revisions. If the second round still misses, we re-shoot at studio cost — this has happened twice in eleven years, and we shipped both.
A producer will read your first note inside 48 hours on a working day, and we will get back the same week with availability and a first read on the right tier. No long form.